.
Epiphanies on Display

Dahlia's Gallery & Boutique
2201 North Stone 
Tucson, AZ 85705
www.dahliasgalleryandboutique.com

The Magi
Acrylic Charcoal and Color Pencil on Paper
18x24
2000
Free Image Hosting at allyoucanupload.com






It started as an experiment with paint using my fingertips. The trees came quickly and effortlessly. As I drew the cloaked figure, I remembered an essay I wrote as a teen:






I was in a lush rain forest. The sound of drums enchanted my feet to move swiftly through the jungle to a clearing. My body was on automatic pilot
as I ran into a large stone temple. In the dilapidated structure there was a maze, at the heart of which was a small statue. It was of a girl,she looked just like me and was given emeralds for her green eyes.


I believe that at some level we all want to feel there is something somewhere on this earth that holds the key to our heritage and provides a map to the legacy we are in the midst of creating. The Magi lead me into self-observation, discovery, and a purpose greater than my ego.





Blue Meditation
Acrylic, Color Pencil on Paper
13 1/5 x 15 1/2
2002

Free Image Hosting at allyoucanupload.com

This was a scrap piece of paper that my mother used to get rid of extra paint off her brayer. I just glanced at it in passing and literally saw the four faces drawn.


A little rabbit sits underneath my Great Grandmother. Native American cultures hold that the rabbit signifies fear. Rabbit's’s intense focus on his fears actually brings about that which he fears. That was my paradigm for many years. Beneath my face is a human face with horns- much like a centaur. This symbolizes the other side of fear – power and deviance. I believe that they are the same as fear.

This moment is about sitting and acknowledging these alter egos in meditation. Its about allowing space and observation of the fear that cowers in us, and the power we assume to control it. I learn something new every time I sit in blue meditation.




Crow's pecking at my conscience
Acrylic, charcoal, chalk
18x24
2000


 Free Image Hosting at allyoucanupload.com
 































I’m standing at the kitchen sink and my face is painted like a clown. A crow has perched on my shoulder; she’s furiously flapping her wings. She has been at it long enough to pierce my skin. My foot is bent back to show longing for my glorious and fuzzy past trying to escape the hell of charades I created. The little crow is going to extremes to get my attention and despite the pain I continue to ignore her.

I was 23 and my parents had been struggling with serious illness for ten years. I didn’t have much more than my time and labor I could contribute but somewhere along the way I twisted my gift into a tool and worse, the measure of my worth. Yes, it is good to be an obedient and loyal daughter. However, I needed to learn the discipline of acceptance and restraint to truly be healthy and successful in my situation. The idea that I could change things (or people) based on how much I did or did not do was pompous and manipulative. The notion that those actions and gifts determined my worth is simply untrue. These beliefs and actions were creating my role of the “devoted daughter” – a woman caged by duty, honor and sacrifice. I created pain by allowing harsh negative self-judgment to dictate how much love I am allowed.


I am the little crow pecking for change.



An elephant never forgets
Charcoal
9x12
2002

Free Image Hosting at allyoucanupload.com

I have a talent for remembering what I should forget and forgetting what I should remember. My skewed memories created this mask made of the past and my fear of the future. The largest image is my face framed by a hood. It is almost entirely covered in my own hallucination. I'm so focused on the past and the future what I see is obstructed, my words are muffled, and the air is stagnant.

There is an elephant in the center of my face by the sand dunes. She symbolizes my ability to hold on to memories over time when the best thing may be to forget, but an elephant never forgets.














Bowing to the bitch of dead ideas
Charcoal on paper
9x12
2001

Free Image Hosting at allyoucanupload.com




Minutes after a huge fight with my sister this drawing was begun and completed. She informed me she was about make a life altering decision without me. I was hurt and totally blind to the chasm that had grown between us. I lost my best friend. I envisioned a place I could go to reclaim my sister’s heart. I visited the Bitch of Dead Ideas, a dead place electric with the unresolved. I went to the old owl-tree woman and bowed before her. I asked for my sisterhood back. I vowed to nourish, adore and cherish it. I promised to never discard it. I have kept that promise ever since.








Original Soldier
Graphite on paper
8x10
2004
Free Image Hosting at allyoucanupload.com


This came from a haphazard squiggle. I finished it a year later for a final. The class was designed to shift our paradigms. I was introduced to the book, “The Pedagogy of the Oppressed “by Paulo Ferrier. He taught me that without my own struggles and inherently painful journey to awakening - I would not be able to inspire authentic change in those I want to help.

This winged creature represents the ageless part of me. It’s the moment of revolution- for the first time I see my own strength, beauty, and choice. There is an epiphany in my eyes.








One Night Stand
Charcoal, Sharpie on paper
18x24
1999
Free Image Hosting at allyoucanupload.com

One part Young
One part Wild
O
ne part Gin
Two parts Shame

I made this the morning after a night fraught with excitement, chemistry, and delicious reckless abandon (a.k.a. gin and tonic). The music was intoxicating; he was such a good lead, the cold air tickled my legs, then there was a kiss. I was thrilled, flattered, and drunk. I woke up confused, unsure, and a little guilty.

Within minutes, I had penned an unforgiving tell-all. I used the biggest piece of paper I could find and the biggest, juiciest, black marker I owned. I wanted to purge the experience so I could pick it apart and examine it outside of my drunken fog.

I spent the rest of the day doing my best to cover it up with charcoal. It was so raw and true I could not let it exist. I was working frantically for hours as if someone was going to burst through the door and see my true deviant self. My words were sharp and my charcoal was heavy, evidence of a one-night stand.

Web Hosting Companies